![]() 14 in New York City.Īs her series has progressed, her "stands," as she calls them, have become increasingly complex. ![]() Her ninth and final performance is scheduled for Sept. Sunde, supported by a Guggenheim Fellowship and a number of other grants, has since performed her work in places as far flung as Bangladesh, Kenya, New Zealand and the Netherlands. Above is a time lapse video of her in Kenya in 2019. ![]() Sunde has performed her project in eight other locations around the world. "If I'm feeling this this deeply, what are other people feeling-in the Global South especially? How are they dealing with it? And so, I felt like I had to know and understand and learn that." "There was a moment where I was like, you know, I'm this privileged person," she recalled. She'd produce a series of events in coastal locations around the world to demonstrate the threat of climate change. Standing in that cold Maine water, Sunde decided that if she could last the entire tidal period, it wouldn't just be a one-off performance. "You know, it sounds a little bit cheesy to say, but I was feeling really connected to people on the other side of the planet." "I had a moment that I remember very clearly where I was feeling the vastness of the water," Sunde said in a recent interview. She stayed until the next low tide, nearly 13 hours total. Three days later, after some planning and preparation, she returned to the inlet for a "durational performance." Sunde began standing at the edge of the water at low tide, and, in front of other artists from the retreat she had been attending, she continued to stand until the water rose up to her neck. The tides struck her as the perfect metaphor for sea level rise, quickly transforming the shoreline in a matter of hours the way climate change will, to a much greater degree, over decades. It was her eureka moment, the inspiration she had been looking for since Hurricane Sandy devastated her adopted hometown of New York City a year earlier. The tide was coming in quickly and completely covered a rock, making it disappear within 30-40 minutes. Sarah Cameron Sunde, an interdisciplinary artist, was visiting Maine in 2013 when she noticed something in an ocean inlet.
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